As the eighth generation of consoles are still relatively new, new games are hard to come by, and development can be delayed while learning the ropes for these consoles. As games that are next gen specific like Batman: Arkham Knight are seeing delays, we are seeing a return of previous gen games that pushed the older hardware to their breaking limits. This past January we saw the re-release of Tomb Raider in the Definitive Edition for PlayStation 4 and Xbox One. At the end of this month we will see the re-release of The Last of Us in the Remastered Edition for the PS4, and at some point this year Grand Theft Auto 5 will jump to the new hardware as well. While some may scream that this is simply a money grab from companies, I see this as an opportunity for people to play gems that could have taken visual, performance, or even gameplay hits from the aging seventh gen hardware. I purchased Tomb Raider: Definitive Edition for the PS4 recently and I am surprised over how good the game looks and run on the fresh hardware. I still have my original 360 copy and that was by no means an ugly game, but their is a stark visual and performance contrast. This maybe the continuing trend of HD releases we received during the last gen, which I was well on board with. Playing the game the past couple of days has also given me a new respect for Jason Graves incredible score. Graves is also known for scoring the Dead Space franchise, Murdered: Soul Suspect, and Alpha Protocol. Tomb Raider’s soundtrack may have been something I missed in the past ( with the amount of games I play and soundtracks I listen to, something just get lost), but I am correcting that today with a look at its fantastic score.
Secret of the Island Complete — Jason Graves — A very percussion heavy piece, laid with early Japanese/tribal feel; Secret of the Island is a great representation of Yamatai, the island in which Tomb Raider takes place. When the strings enter you can feel the sense of danger; the mysterious Storm Guard; the Sun Queen, Himiko; and the deranged cultist led by Mathias. The percussion makes this piece, enjoy
SOS Tower Final In-game (unreleased) — Jason Graves — This track was not on the official soundtrack, but thanks to SoundCloud and Graves, we get to listen to what is one of the more happier moments in the game. The part of the game where this piece takes place is a huge step for Lara. Still shaky about her surroundings, she is less than confident to climb the dilapidated radio tower. She does, and proves to herself that she can do this, she can become the character we know. The sight from atop the tower is beautiful, and this piece captures that wondering beauty.
A Survivor is Born — Jason Graves — The main theme from Tomb Raider, is sweeping, beautiful piece of production. Lara’s theme that starts around the (1:25) mark is epic, encasing all that Lara has been through on Yamatai and becoming the strong protagonist she is meant to be. At the (2:02) mark, the Lara theme is played again but by a solo piano. I love how in the piece there is the same central theme, the same notes even, played three different ways, at different tempos; but yet it all fits together so perfectly. I hope you Enjoy!